I’ve recently been revisiting Haraway’s ‘Cyborg Manifesto’ in order to think more critically about a posthuman theory of dance. I’ve also turned to Haraway’s more recent work, including a talk called “Anthropocene, Capitalocene, Chthulucene” (2014). Whereas in ‘Cyborg Manifesto’ (1985), Donna Haraway famously rejected the conventional, dualistic conception of the natural, positing the cyborg as a “boundary […]

I’ve been thinking a lot about bodies and machines lately. This is hardly a shock given my proposed dissertation topic (on the dancer as instrument of new technology), my most recent POD piece (on the feminization and disembodiment of AI) and the class I’m taking this semester at McGill with Jonathan Sterne (titled “Bodies and […]